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Sustainability Bonsai
Sculpture
~20x35x33 cm
Reclaimed plastic packaging, reclaimed scaffolding boards, fallen twigs.
2023
Four seasons
Collograph-Installation
Reclaimed plastic packaging, acid-free paper, store-bought printmaking ink.
2023
Nature is Green
Collograph
Framed (in found plastic bag): 22x12 cm approx
Unframed: 17.7x10.5 cm
Edition of 6
Reclaimed plastic packaging, acid-free paper (magnani 300 archival paper), store-bought printmaking ink.
Part of AGA Lab
artist residency.
2023
Goedmorgan
Installation
Reclaimed plastic packaging related to breakfast, acid-free paper, store-bought printmaking ink, found (waste) canvas frame.
2023
The Scream
Collograph
Reclaimed plastic packaging, acid-free paper, store-bought printmaking ink.
2023
Aliens (various)
Installation of a series of collographs
Dimensions varies depends on available waste material.
Original collographs made from and framed in packaging waste (plastics or plastic coated) from everyday grocery, also waste canvas frame.
An ongoing series, each collograph is unique and uniquely named.
2023 - ongoing
Esoterraria-p
Durational performance, installation
12 hours over 3 days, 2x2x2m
1.5 years of plastic packaging waste from 1 domestic bin.
Part of DeptfordX Festival
2022
Instructions to participate inside or outside of Esoterraria-p:
Plastic wastes
Witness the everyday of human ways
Trusted and hated
In glue
In oceans
In artery bypass graft surgery
In human blood
A cube from a different time-space
Foreign as alien race
Transparent and laboured
Silent and traced
Beyond extrude, inject, mould
lies embodied tales of care, belonging and ecology
Esoteric for whose taste
Bring them on, play and convey
Outside the cube:
Tell esoteric tales, tell wisdom, tell free associations
To friends, to strangers, to the air
Inside the cube:
Plastics knows no human words
Only actions, forms and shapes
Seeks human translators
and essence of care, belonging and ecology
Portraits of Assemblage Creatures
Collographs
on acid-free paper
The bin is not a blackhole.
Whatever gets puts in there goes on to live somewhere else on Earth,
in their current, broken down or burnt up form.
Plastic materials (mainly packaging) from the everyday are cleaned and collaged for creating the basis of an image, called the plate. The plate is then manually inked up and pushed through a press, with paper, to create the final artwork. Each collograph has one of the print from the edition framed with reclaimed materials.
From top to bottom:
The De-Busy'd ,
76 x 56 cm (unframed)
101.7 x 85 (framed)
Edition size: 3, variable edition
Ex-photography exhibition frame, sanded down and reaclaimed.
Curiouser ~
79.5 x 61 (framed)
76 x 56 (unframed)
Edition size: 2, variable edition
Material of frame: reclaimed furniture offcuts, sapele and larch - solid wood
Rituals Manager %
79.5 x 60.2 (framed)
76 x 56 (unframed)
Edition size: 2, variable edition
Material of frame: reclaimed mouldings, beech - solid wood
PIG-E-ON --
28.5 x 20.8 cm (unframed)
42 x 34 cm (framed)
Edition size: 5, variable edition
PIG-E-ON -----
31 x 24.8 cm (unframed)
28 x 34 cm (framed)
Edition size: 5, variable edition
2022
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